In Monster , Charlize Theron is a homeless prostitute, and her partner, played by Cristina Ricci, is unemployed. He appears lower middle class, but this is an optical illusion created by the Karan Johar brand of cinema. In his extremely influential book, The Rise Of The Creative Class, Richard Florida argued that cities that have large numbers of the creative class, including gay people and bohemians, will thrive economically.
Shambhu, the cook, is confidently effeminate. There are, however, three extremely influential Hollywood films that go against type. The majority of gay men we have seen in mainstream cinema have appeared in films connected to him—the fake gay men of Dostana produced by Johar , the closeted principal of Student Of The Year directed by Johar , and the reluctant romance in a short film directed by Johar in the anthology Bombay Talkies.
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But even the sensitively conceived gay man is already configured to a type: There is no publicly available data on homosexuality and income in India; however, there are several news stories of girls from poor and lower middle-class backgrounds falling in love with people of the same gender.
There are many such stories reported every year. A cook is paid for the manual labour of cooking.
The stereotype of the creative gay person even has academic credentials. The opposite happens in the movies—the stories that get told are of affluent and cosmopolitan gay characters.